Of note is the Remington 3B, a glossy, bulbous machine that has 3 1/2 rows of keys of which 5076 were built.Īfter Remington bought Torpedo in the midst of the Great Depression, it retained control of the company. 3, but comes in crinkle grey paint and lacks a bell, tab, and other minor functions.īearing such names like "Pioneer", "Scout", and "Cadet", Remington spawned a variety of depression machines that lacked various features from keys to even a front frame. Remington's most common Depression machine. 5s have touch control and left platen knobs. 3 but has a "blockier" appearance-though some came in a streamlined shell. 3 with a true tabulator rather than a 5-space key. Distinguishing features include a lip over the typebars and a smooth top cover, and no left platen knob. ![]() It also carries a 5-space key, occasionally marked "TAB". 1 and 2, but its typebars do not flip up to a 45-degree angle to write. These machines were often rebranded and carry rarer name variants including "Porto-Rite" and "Butler Bros.". 1 include curved typebar guards, a one-piece return lever, and various color combinations. Early examples may have no right shift key. 1 is a fascinating and common, yet well-built little machine. These machines introduced plastic keys, a new curvy shell style, and a green color theme. This is the second major shell redesign of the Remington Standard Typewriter. Crinkle paint came into style and was used to full effect, and keyboard set margins (hence the acronym "KMC") were introduced to simplify the setting of margins on the machine. The Remington KMC is the 1940's redesign of the Remington Standard. The Remington 16 is the successor to the 12 and all it's derivatives. 12 is an improved 10 with covers over the sides, the 20 is the "Remington Special", the 30 is a 12 with a decimal tab, the 31 is a 12 with an extended decimal tab and extra keys, and we don't know what makes the 92 special 11 is a 10 with a decimal tabulator, the No. 10 is the first visible frontstroke Remington typewriter available on the market. 5, the 7 is a version of the 6 with more keys, and the 8 is the wide carriage version of the 7. 6, 7, & 8 are the most widely available Remington upstrike typewriters available today. It has a slightly shorter carriage, and a bell located on the front of the typewriter instead of on the back. 5 is the version of the Remington Standard No. It is basically the same machine without any shift keys. ![]() 2, but was only developed as a prototype and never widely manufactured. These machines are much less ornate and a bit more refined, featuring a shift key allowing the operator to type in capital and lowercase letters. These machines are generally considered very rare, but they are around. At first, it was more of a novelty, but it set the precedent of what a typewriter should look like, and began the long legacy of the QWERTY keyboard. It was prototyped by Christopher Latham Sholes in Milwaukee in the late 1870's, and was presented to Remington Arms Co. 1/ Sholes & Glidden Typewriter is recognized as the first commercially successful typewriter.
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